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Olive Goil: Michelle Vale

One of the very best things about hosting/attending Fashion’s Night Out in NYC this year was discovering fresh young talents who are continuing to push boundaries with their work. That said, I fell completely in love with Michelle Vale, who kicked off her handbag line in 2006. Beautifully crafted, utterly luxurious and boldly beautiful, Miss Michelle’s pieces are just what every gal dreams about.

She explains that the inspirations behind her amazing line as evolving out of her commitment to quality design and the deep love she has for her hometown.

“We are proud to be one of a very small handful of designers who are made in New York City,” she says, “This has always been and will always be very near to my heart. I am also proud that we offer women the unique ability to completely customize their own look by offering hardware components in both silver and gold. Our collection allows women to modify the color of hardware they want to wear on their bag and to change the way it is carried at any given moment. With fashion moving to a more polished and elegant look, the perfect bag now exists to help define that image.”

You go girl!

I took a trip down to Michelle’s showroom to see the gorgeous green purse (I have been admiring), for myself! Check out Michelle Vale’s delicious accessories! You will NOT be sorry.

 

Olive Goil: Daisy Fuentes

It has been a whirlwind my darlings, and I have been swept up in the beautiful chaos! NYC Fashion Week is drawing to a close, but I cannot let the week go by without sending out props to the beautiful Miss Daisy Fuentes, who just debuted the a gypsy/boho-influenced, lace and loverly line of wearable, wonderful clothes.

I attended her opening night shindig and show and had to many times wipe away the drool, as I stood in gape-mouthed awe, eager to get my little hands on this hot collection.

Paisley maxis, smoky colored swimwear, all gold and bronze and laser cuts, Miss Fuentes is a woman of firsts – first major Latina model, VJ, entrepreneur, designer and general Jane (or Juanita) of all trades.

On the eve of her Fashion Week debut, she shared her advice to gals like me around the globe,  “Stay focused, but keep yourself open. Your destiny may have bigger plans for you than even you can imagine. Listen to the people who’ve gone before you and find a mentor.”

Wise words, aren’t they? Not only is Miss Fuentes gorgeous, but she is also smart, humble, focused and with a flair for designing duds that make a lady look gorgeous without hurting the pocketbook.

Okay my dears. It is Friday and the afternoon is waning. I am happy, weary and still swooning over the sights and sounds of the past event-filled week. I’ll dish on more fabulous things soon, but until then – over and out from NYC.

Live Olive: Save The Garment Center

I know at this point you must think all I have been doing here at Fashion Week NYC is gallivanting around rubbing shoulders with fabulous people and looking pretty.

But, really, that’s not all folks, I swear!

The fashion industry is built on much hard work and creativity and love and sweat and tears. Designers have to be committed to succeed and a huge part of why they are able to produce such well crafted and stunning pieces has much to do with the sewers and suppliers who help make their visions reality.

You’ve heard me talk quite a bit this week about Save The Garment Center, but really, I can’t say enough about the importance of this organization!

I am so very pleased to introduce a lovely lady who can tell us all a much, much more about SGC,  than I. Ladies and gents, introducing Erica Wolf, Executive Director of Save The Garment Center.

Can you tell us a bit about the history of the Garment Center?

West 35th Street to West 41st Street, and Fifth Avenue to Ninth Avenue today roughly bind The Garment Center.  This area has played a vital role in New York City’s fashion industry and economic history over the last 100 years.

In the late 1800s, an influx of immigrants came to New York and many worked in the apparel industry.  The industry took advantage of the local seaports by bringing in supplies such as fabrics from European and New England mills, and accessing major markets overseas.  As Manhattan’s Lower East Side drew the majority of early immigrants, the neighborhood subsequently became an early center of garment production.  The city’s garment industry continued to grow rapidly, expanding from 562 manufacturing firms in 1880 to over 1,800 firms in 1900, effectively establishing New York City as the hub of the nation’s ready-to-wear industry.  Over the next few decades labor movements and government action pushed garment production out of the cramped working conditions of the Lower East Side.  Residential and retail developments lead the factories further uptown, and the industry ultimately settled in what we know today as NYC’s Garment Center. (Source: Municipal Arts Society)

What factors have contributed to the potential loss of the Garment Center?

For the past several decades a decline in domestic manufacturing has lead to a great loss of businesses and jobs in New York City’s Garment Center.  Designers began producing clothing overseas at a much lower cost, and garment industry jobs have continued to move overseas at an alarming rate until recently.

Real Estate pressures also contributed to the loss of jobs in the Garment Center, and a 1987 zoning law was put into place to combat these development forces.  Over the past few decades, factories have begun to feel the real estate pressures once again with landlords harassing them in their place of work, and cutting short their leases.  Landlords have been complaining that the zoning is outdated and the regulations need to be changed.  A change in the zoning would be the complete loss of the Garment District as we know it.

 Why is important to save the Garment Center?

The Garment Center is a research, development, and production hub.

Emerging designers come from all over the world to take advantage of this district.  Its 10 block radius is a cluster of factories, fabric and trim suppliers, showrooms, and countless other resources.

The local factories afford emerging designers the ability to start small and grow their production as orders increase. Domestic production allows for more thorough quality control, easier management of inventory, and a quicker turnaround time to fill orders and meet spur-of-the-moment trends.

If we lose our manufacturing infrastructure, we risk losing future generations of emerging designers, and losing our status as a leader in the world of fashion. The newness of these designers is what draws the buyers and press from all over to come for markets and fashion week.

We can only sustain a future for American fashion by supporting the American manufacturing base, and fully utilizing its potential. Consumers have enormous power to signal their desire for more Made in America garments with their purchases. We need to encourage established American designers to bring some manufacturing back from overseas. By buying American and asking your favorite brands to manufacture more in the USA, and New York City, you can help ensure a future for jobs in American fashion.

 

Live Olive: Ready to Report FNO

Oh what to wear, what to wear? I am bustling about today, getting a fire-engine red mani-pedi, putting my hair up in smooth and elegant bun and standing in front of my shoe closet, pondering the life’s great question; which pair to show off this evening?

Because my dears, this is a very special evening. I am all a flutter inside with butterflies, as it is only a few mere hours before I host my very first ever, (and hopefully not last!) Fashion Night Out event!

So, should I don my sparkly Jerome Rousseau’s? My feathery Chrissie Morris’? And don’t even get me started on what to wear from there. Each and every one of the designers who will be by my side tonight are incredible in their own right.

Maybe I should bring an outfit from each and make a quick costume changes every 10 minutes?

These are the dilemmas a gal like me has!  But really and truly, I think I’m going to enter with one outfit and exit with another, just to be amazing – twice!

But don’t think for a minute I’ve gotten too wrapped up in myself not to remember the most important thing about tonight and that is to help the fine folks of the Garment Center keep designer duds made right here in the Big Apple!

But also, I DO have to look divine…I will be sure to keep you all abreast of the fabulousness occurring this evening.

Don’t forget to follow me, as I’ll be tweeting away!

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